Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
壇蜜 大野未來(lái) 福田佑亮 福本ヒデ ノッチ きくち英一 古谷敏 沖田駿一 元冬樹(shù) 堀內(nèi)正美 森次晃嗣 なべやかん TABO 巖井ジョニ男 佐藤文則 元?dú)菸荪ēぅ?nbsp;黒田浩史 色羽紫 山口敏太郎 森まさひろ 破李拳竜 岡田ゆういち 塩野勝美
約翰·博耶加 卡莉·史派妮 斯科特·伊斯特伍德 景甜 伯恩·戈曼 查理·戴 阿德里婭·阿霍納 張晉 菊地凜子 卡蘭·布拉爾 黃愷杰 伊萬(wàn)娜·薩赫諾 新田真劍佑 吉麗 雪莉·羅德里格斯 拉哈特·亞當(dāng)斯 列維·米登 達(dá)斯汀·克萊爾 陳梓童 于謹(jǐn)維 錢(qián)泳辰 齊柏林·漢密爾頓 郭家銘 藍(lán)盈瑩 尼克·塔拉貝 沙恩·朗吉 戴杰 尼克·薩特里亞諾 丹尼爾·弗雷里格爾 金楨勛 菊池潤(rùn)美 瑪?shù)铝铡湼駝?nbsp;喬什·斯坦伯 斯蒂芬妮·阿琳 盧克·朱迪 布里德基·薩蒂納 小蒂姆·約翰遜 埃里克·阿達(dá)爾 Nancy Nugent 薩
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